It’s a formula Raimi milks right from the off and the scene where Mrs. As with a ghost train, the objective is simple.
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In fact, this is easily the purest Raimi movie since Evil Dead II.Ĭo-written with his brother, Ivan, this is the first Ghost House Pictures movie to live up to the moniker’s macabre funfair origins, lurching from wild laughs to beautifully choreographed scares like a locomotive threatening to leave the tracks. After the misfiring Spider-Man 3, Drag Me To Hell is a return to a genre he once ruled in an attempt to blow away the cobwebs. Since then, his career’s led him away from scares towards web-covered franchises. Raimi, of course, made his name in the horror genre with the Evil Dead trilogy. So, at long last, here comes the boss to show everyone how it’s really done. Despite the fact that Sam Raimi’s production company is called Ghost House Pictures, its output, ranging from Boogeyman to The Messengers, has been lame, derivative and lacking in scares.
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